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Think Reader

Writing by Design: Reader-based Techniques to Improve Your Writing

The book reveals how to recognize what in your writing overwhelms the reader's memory, attention, and knowledge to create confusion, misunderstanding, disinterest, and frustration. Through many examples and corrected exercises in literature and science, and with the help of original assessment tools, this book will turn you into a reader's writer.

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About

About

About the Book

You are an expert respected and recognized by your peers. You spell-checked. You reread your manuscript, several times, and found everything clear. Yet the editor rejected your manuscript. The amazon reviewer gave your book a one-star rating. The lecturer covered your essay in red ink. The customers inundated the product helpline with phone calls after reading your user manual. The decision-makers left your document unread, or worse, misunderstood it and were led astray. What they understood was not what you meant. 

These people are readers. But they are not mythical readers: readers with infinite attention, infinite time, infinite memory, and just the right amount of knowledge required to understand your document. They are imperfect readers, a complication, people with limited memory, attention, and knowledge, not people like you. Your knowledge is secured, entrenched in memory. It took you much time and effort to achieve that, years maybe. Readers have hours to rebuild it from your words, maybe minutes. 

The reader’s failure is now your failure. The failing reader is now your accuser, as well as your judge and jury. Chief among the accusations are obscurity, wordiness, sleep-inducement, and time-wasting. Writer, you have to know how readers read, how they succeed and fail, and you can't know that without considering the physiology of reading. You also need skills in Human-Centered product design. After all, you are the designer and *mindnufacturer* of an intellectual product.

The book has 25 "swimming" exercises, some in shallow pools, some in deep pools. Do not skip them. Get your feet wet. One does not learn swimming by watching others swim! It also has countless examples. Evaluate your own writing in the light of what you learn, with the tools we use and recommend. Discover your writing style. Find out what you do that helps or hinders reading. In short, be your own physician. 

Six stories make reading this book more story-like, and the book’s readability score is low enough to be accessible to all, and in particular to non-native English writers. You do not need to read linearly. Start with the chapter that seems more essential: Complex writing? start with the chapter on memory. Dull writing? Start with the chapter on attention. Unclear writing? Start with the chapter on knowledge. Choppy writing? Start with the chapter on expectations. Unconvincing writing? Start with the persuasion chapter. Ineffective visuals? Start with the chapter on visuals. Enjoy them all!

Author

About the Author

Jean-Luc Lebrun

Jean-Luc Lebrun has managed research programs while working at Apple Computer in its Advanced Technology Research group for over ten years. He subsequently invested his energy in the commercialisation of research. For the past eighteen years, he has conducted classes worldwide on writing and presentations skills, particularly for scientists. He lectures mostly in Europe and South east Asia. Jean-Luc is an adamant defender of a reader's right to understand what a writer writes. With the latest insights on how the brain works and with a deep understanding of reader interface, he helps us see writing as a product for the mind, a product that has to be designed around the reader. Jean-Luc authored three books published by World Scientific Publishing, on scientific writing, grant writing, and scientific communication.

Contents

Table of Contents

Preface

Chapter 1 - Role of Memory and Attention in Reading

  1. Memory
  2. Memory’s mode of action
  3. Memory’s drawbacks and limitations
  4. Attention
  5. Attention’s mode of action
  6. Attention’s drawbacks and limitations
  7. Optional Readings on the Brain Chemistry Behind Memory and Attention
  8. The brain chemistry behind memory
  9. The brain chemistry behind attention
  10. The physiology of attention

Chapter 2 - Modeling Reading

  1. Reading Model Inputs
  2. Reading Model Outputs
  3. Limited Brain Resources
  4. Memory
  5. Attention
  6. Knowledge
  7. External Constraints
  8. Model Optimization

Chapter 3 - Designing Memory-Friendly Writing

  1. Memory-hostile Writing
  2. 1. All glued up - The case with long and abstract words
  3. 2. Facing the unknown - The case of the new word
  4. 3. Stacking the deck - The case with compound nouns
  5. 4. Pepping the preps - The case with overly abundant prepositions
  6. 5. Who’s on first38 - The case with ambiguous pronouns
  7. 6. Dissing dittos - The case with synonyms
  8. 7. OMG - The case with abbreviations and acronyms
  9. 8. Falling for the serpentine - The case with long sentences
  10. 9. Caving under caveats - The case with uncertainty
  11. 10. Breaking bad - the case of split attention/memory
  12. 11. Nays for naughts - The case with negative passive sentences
  13. Memory-friendly Writing
  14. 1. Repeat again? - The case with repetition
  15. 2. Going duo - The case with attention and memory
  16. 3. Clear the fog with such as - The case with examples
  17. 4. Coat hangers and Signposts - The case with headings

Chapter 4 - Designing Writing That Sustains Reader Attention

  1. Ways to Lose Reader Attention
  2. 1. Misguide and distract
  3. 2. Misspell and miswrite
  4. 3. Emphasize all
  5. 4. Front-load the background
  6. 5. Bore
  7. 6. De-energize
  8. Ways to Gain Reader Attention
  9. 1. Grab by the eye-balls
  10. 2. Ignite curiosity
  11. 3. Plant visible inserts
  12. 4. Shock with numbers
  13. 5. Impress with figures of speech

Chapter 5 - Designing Writing That Considers Reader Knowledge

  1. Knowledge Transfer - A misnomer
  2. From Thoughts to Words - A refining process
  3. From Words to Thoughts - A rebuilding process
  4. From Precise to Generic - Addressing the quandary
  5. From Unknown to Known - Building the net
  6. From Ignorant to Savant- Pegging the reader’s knowledge at the right level
  7. Write sections differently to adjust to reader profile and need
  8. Pander to a shallower way of gathering knowledge?

Chapter 6 - Designing Writing That Raises Reader Expectations

  1. Reader Expectations
  2. The predictive role of expectations in reading
  3. The alerting role of expectations in reading
  4. The connective role of expectations in reading
  5. Raising Expectations76
  6. Class 1 - topic-based expectations
  7. Class 2 - sequence-based expectations
  8. Class 3 - other expectation-generating schemes
  9. Managing Expectations
  10. The role of the topic sentence
  11. The role of the tugboat phrase or clause
  12. The role of hedging
  13. The role of the structure
  14. Breaking Expectations
  15. The good way
  16. The bad way

Chapter 7 - Designing Persuasive Writing with Grammar and Style

  1. Grammar - the Unexpected Persuasion Tool
  2. Style - Hedging & Empathy
  3. Hedging
  4. Empathy with the reader
  5. Other Persuasion Techniques
  6. Imagery
  7. Repetition
  8. Figures of speech
  9. Long-short arrangements
  10. Credibility enhancers
  11. Using Persuasion to benefit the Reader

Chapter 8 - Writing Tools

  1. Tools to Bring Structure To Your Writing
  2. Tools to Assess the Clarity of Your Writing
  3. Microsoft Word’s Readability Statistics
  4. R koRpus Package
  5. Hemingway
  6. SWAN
  7. Tools To Assess Your Writing Style
  8. Tool To Assess The Fluidity of Your Writing

Chapter 9 - Text as Consumable Intellectual Product.

  1. Product for the Brain
  2. Unpacking and Sampling
  3. Rummaging the contents
  4. Nibbling allowed!
  5. Consuming Text
  6. Reader-Writer gaps
  7. Testing text readability140

Chapter 10 - Visuals as Consumable Intellectual Products

  1. Entering a Visual
  2. Consuming a Visual Product
  3. What elements of a visual delay understanding or mislead?
  4. How can the writer guide the reader inside a visual?

Chapter 11 - Stories from Vladimir and Ruslana - Our typical readers

  1. Agile
  2. Viktor
  3. Piotr and the Grammar Renderer
  4. Le Bazaar
  5. Of Books and Jelly Beans
  6. Of Phrases and Clauses

Chapter 12 - Exercises

  1. Exercises for Chapter 1
  2. Exercises for Chapter 2
  3. Exercises for Chapter 3
  4. Exercises for Chapter 4
  5. Exercises for Chapter 5
  6. Exercises for Chapter 6
  7. Exercises for Chapter 7
  8. Exercises for Chapter 8
  9. Exercises for Chapter 9

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